Jul 10, 2022
Perry, Dame & Co. 1916
The wide crinoline skirt with side draping determined the fashion in 1916. The now complete catalog of the New York mail order company Perry, Dame & Co. for spring and summer 1916 displays on 148 pages summer dresses made of georgette crêpe or chiffon as well as costumes, skirts, blouses, hats, underwear, corsets, shoes and children's clothing — previously only 19 pages of the catalog were online.
In the database of artdeco-boulevard.de you will now find far more than 8,300 pages.
Jun 19, 2022
Modenschau – June 1929
"It has now become a matter of fact: the waistline has arrived at its natural position!" proclaimed the Fashion Report of the June 1929 issue of Modenschau No. 198. All summer dresses for the afternoon and evening, as well as ensembles and jumper dresses, show the higher waistline. In addition, the issue also presents beach and swimwear.
Articles reported on "Travel Without Timetable" or "From the Life Struggle of Celebrities."
May 22, 2022
The Designer – May 1916
Summer fashion in 1916 was dominated by the war crinoline. The issue of the U.S. fashion and women's magazine The Designer for May 1916 shows, partly in color, the latest day, summer and afternoon dresses with wide skirts.
One article was devoted to the "Woman at the Steering-Wheel." Ads promoted Munsing Wear, Congoleum rugs, Pussywillow face powder, Coca-Cola, Kodak, and Willys-Overland automobiles.
The artdeco-boulevard.de database now contains 8,200 pages.
Apr 17, 2022
Chicago Mail Order Co. 1922
On 298 pages, the Chicago Mail Order Co. catalog for spring and summer 1922 presented the latest Parisian women's fashions as well as men's and children's clothing. The calf-length robe de style or basque dress with flared, wide skirt dominated the women's dress offerings. Turbans with hackle feathers and women's hats with opulent ostrich feathers or fruits and foliage were all the rage in spring 1922.
At artdeco-boulevard.de you will now find over 8,100 pages.
Mar 20, 2022
Modenschau – March 1932
Fashion in the spring of 1932 showed the high, tight waist, broadened shoulders and more than calf-length skirt. The Modenschau No. 231 of March 1932 shows dresses for the morning, afternoon tea and the first warm days of spring. Coats made of impregnated fabrics and ensembles complete the selection.
Articles reported on "The Magnificent Garbo," "German Easter Traditions," or explored the question of whether "working women [should] marry?"